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Halloween 2018 – film review

October 31, 2018

HALLOWEEN 2018

Too little. Too late.

Reviewed on Thursday 25th October 2018

Directed by David Gordon Green. Written by David Gordon Green & Danny McBride & Jeff Fradley, based on characters created by John Carpenter & Debra Hill. Starring: Jamie Lee Curtis, Judy Greer, Andi Matichak and Will Patton. Running time: 107 mins.

Forty years have passed since Laurie Strode’s initial encounter with the masked killer Michael Myers. The trauma she suffered as a teenager has made her stronger and more determined to protect herself and her loved ones should Michael escape from custody. Then one fateful Halloween night, Michael breaks out to continue his rampage; facing off against Laurie in a violent final showdown.

It is said the definition of insanity is doing the same thing over and over again while hoping to achieve a different result. The same could be said for the mounting stack of Spider-Man reboots we are subjected to every few years. But it is undoubtedly Halloween which currently holds the top spot of five franchise restarts over its now eleven film history; the most recent being Rob Zombie’s Halloween in 2007.

I must admit, the last Halloween film I saw was the unfairly misunderstood and under-appreciated Halloween III: Season of the Witch back in 1983 – itself an attempt at steering the franchise into an anthology series – wherein each October a stand-alone film unrelated to the story of Michael Myers (and connected only by the pagan holiday itself) would be released under the Halloween banner. Admittedly a brilliant and intriguing concept (and one which would have opened up the series to unlimited story possibilities), the idea was sadly abandoned following vocal outrage from fans over the absence of Michael Myers.

By the time Halloween 4 was released five years later – and being the return of Michael Myers – I had pretty much lost interest in following the series any further.

This latest entry is the third Halloween sequel since 1998 to feature Jamie Lee Curtis as Laurie Strode and much like Halloween H20, this film also ignores previous instalments. The only difference here being that even the events of the first Halloween II are ignored, meaning this is, for the first time, a direct follow-on from the original 1978 Halloween – the most significant result of this retcon being that Laurie and Michael are no longer brother and sister (the big reveal in Halloween II).

The screenplay by David Gordon Green & Danny McBride & Jeff Fradley is the biggest issue I have with this film; being all over the shop tonally – with needless and embarrassingly awkward humour seemingly shoe-horned into what are otherwise really tense sequences. There is one scene in particular towards the end – involving two random cops comparing lunches which should really have been left on the cutting room floor – as it totally dissipates the building of tension. Thankfully the film recovers quickly enough to lead us into a remarkably suspenseful and claustrophobic cat-and-mouse final sequence. The other overall problem with the script is that we spend far less time with Laurie Strode than we should. Whenever we cut away – to concentrate on other (less interesting) supporting characters, the film appears to lose focus and thus momentum at certain times – particularly around the mid-point. And whilst I appreciate the nicely-played dynamic between Laurie and her estranged daughter Karen and grand-daughter, Allyson (played by newcomer Andi Matichak) – it is Laurie’s journey from victim to survivor to ultimate victor we should be primarily invested in. One need only to look to films like The Terminator and Aliens as prime examples of stories effectively told almost entirely from the heroine’s point of view. And just as a side note, it has to be said – Laurie being a haunted survivor (prepping for the inevitable return of the unstoppable force which tormented her) does clearly appear to be inspired by the portrayal of Sarah Connor in Terminator 2.

Bizarrely, there is also a completely unearned and pointless left-of-field reveal in the second half – with one particular character (for no discernible reason) shown to be something other than what we thought he was – something more akin to Decker in Clive Barker’s Nightbreed. While, only minutes later, still reeling from the reveal, the reveal becomes null and void and pointless – giving us a real “Well why the hell did that all just happen?’ moment. It’s quite bizarre.

On the plus side, the anamorphic lenses employed by DP Michael Simmonds do recall the widescreen look of the original Halloween. The wider frame providing ample opportunities to hide Michael in the background or off to one side – hidden in plain site. And for the first time in thirty-five years, John Carpenter returns to scoring duties on a Halloween movie (this time bringing along his current co-collaborators Cody Carpenter and Daniel Davies – fresh from their involvement in the celebrated Lost Themes and Anthology albums). The main title – here given a brand new spit and polish using today’s technology – still remains one of the most menacing and dread-laden pieces of film music ever.

Whilst I can appreciate the filmmakers’ intent here to make a follow-up worthy of the original Halloween, the somewhat inconclusive ending does appear to leave things open for yet another instalment. An idea which, when I think about it, doesn’t fill me with much enthusiasm.

2.5 stars out of 5

Star ratings: 1 – poor / 2 – below average / 3 – good / 4 – excellent / 5 – unmissable

Viewed at the Wallis Cinemas Mitcham, Adelaide, October 25th 2018

Greg Moss is a film school graduate with a background in directing music videos     and is currently seeking representation as a screenwriter. He likes creative people, feeding the cat and watching genre movies. Greg can also be heard on the Blu-ray commentary track for the 1980 sci-fi thriller Saturn 3, out now from Scream Factory.

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